Pifford.
Pifford.

Note: this page is intended as reference to any other interview appearing on the site. In other words, anything this page contains can be seen as a valid contribution to any other interview. Our methods are drastic, we know. They are also far better than any other methods. If you wish to contest this, contest away! Do it elsewhere.

As part of our range of interviews across the world of the arts, politics and other areas where publicity-seeking is the norm, QuantumBones is proud to have the opportunity to interview reknown’d artist Clifford Bagpipes. His work has been described variously as “challenging”, “too noisy” and “like something a three-year-old came up with”. Never one to avoid criticism or controversy, Clifford is perhaps best known for his work “Random Doodles”, an avant-garde, mixed media art project adorning walls of effluent treatment centers across mainland Europe. 

“Clifford, you’ve recently caused a bit of a stir at the Turner Prize Awards, at your evaluation of this year’s entries.”

“I would rather refer to intelligence than to socio-economical factors or education – hence the term “moron”.

“You were particularly scornful of much of the work coming out of the Stuckism Movement. Is it a style that resonates with you or do you not appreciate it at all?”

“The next character has an eyeball in his mouth, man.”

“I understand that you were about to announce your retirement over the Internet but something prevented you from doing it. What happened?”

“Shit froze on me – I was fucking the site too fast! Groovy!”

“Anything else? We’re running out of time really fast here.”

“I haven’t totally lost touch with that shit they call reality.”

“Incidentally, how old are you?”

“I would be 83 this summer but for that little accident.”


“When I had a life I didn’t answer anyone.”


For something less regular, we recommend this page.